Art Basel Miami 2009: A Week in Review

By JRS

Nothing could stop Art Basel from having another successful year in Miami. Not a recession, not adverse conditions—though heavy rain and flooding destroyed a few works of art—could keep the droves of people from returning to south Florida and jamming the aisles of all participating spaces and the streets of the Design District.

What felt like most of Miami—and New York, LA, and Europe’s art communities—flocked mostly to the Miami Convention Center in search of fine art and design. The more adventurous patrons made their way across the causeway and back to the mainland.

Comparing SCOPE to Art Basel at the Convention Center is like comparing the Uptown and Downtown scenes in New York; they’re total opposites. For those who have never been, Art Basel is made up of several different parts: Art Basel, SCOPE, Pulse, Art Asia, and the bevy of neighborhood galleries that fling open their doors during the week and curate exhibitions of their own. Truth be told, these are often the most interesting shows to experience, as they have no preconceptions and are akin to Dash’s old shows at Deitch circa 2005: completely uninhibited.

New York Street Artist Judith Sapine's Newest Work

New York Street Artist Judith Supine's Newest Work

One such show was “Art Whino,” which was held at Charcoal Gallery on 1st Avenue in Miami. A somewhat industrial and raw space, the exhibition was curated with the likes of Barry McGee and early Shepard Fairey in mind. Silkscreens as far as the eye could see, paired with stencils on canvas…on top of other stencils on canvas, chunky oils, and collages. Paired with knowledgeable curators and the artists themselves mixing with their constituents, it had a refreshing absence of the structured art-fair feeling.

"It's Better to Burn Out Than to Fade Away," at Charcoal Gallery's Art Whino

"It's Better to Burn Out Than to Fade Away," at Charcoal Gallery's Art Whino

In the big top, Gagosian and Deitch were the undisputed heavy-hitters. Jeffrey brought out his customary big guns—Julian Schnabel, Barry McGee, Shepard Fairey, Keith Haring, Swoon, and Ryan McGuiness—while Gagosian countered with the likes of Richard Prince, Basquiat, Warhol, and Jeff Koons.

Barry McGee's "99 Bottles on the Wall"

Barry McGee's "99 Bottles on the Wall"

"Aung San Suu" by Shepard Fairey at Deitch Projects

"Aung San Suu" by Shepard Fairey at Deitch Projects

Jeff Koons at Gagosian

Jeff Koons at Gagosian

Stay tuned for more Art Basel updates throughout the week.

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