Archive for the ‘Jewelry’ Category

Exquisite Fetish

Wednesday, November 16th, 2011
“King’s Folly” an object by Ivan Venkov

“King’s Folly” an object by Ivan Venkov

Ivan Venkov created his elegant jeweled bijou, in homage to Joris-Karl Huysman’s novel, À rebours (aka ‘Against Nature’), in which Des Esseintes, who was a gentleman of refined sensibility, an exquisite arbiter of taste, came into possession of a tortoise whose shell he had embedded with jewels to create an ornamental pet.

The detail of Venkov’s art object elaborates on the style of Fabergé eggs which exult in opulent intricacy. The truncated rear of the deer is fitted with a jeweled mechanism and a system of crystal cabinetry with an ambiguous orifice, which presumably acts as the insertion point for a key or a coin. The integration of the machine into the organic flesh of the animal alludes to a parasitic invasion – but one that completes the motion of the running deer as a mechanical windup with a symbiotic consumption of energy.

“King’s Folly” an object by Ivan Venkov

“King’s Folly” an object by Ivan Venkov

“King’s Folly” an object by Ivan Venkov

“King’s Folly” an object by Ivan Venkov

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Elizabeth Taylor: Persian Odalisque

Saturday, October 22nd, 2011
Elizabeth Taylor Wearing a Chador at the Shah Cheragh Shrine, Shiraz , 1976: © Firooz Zahedi - Courtesy Leila Heller Gallery, New York

Elizabeth Taylor Wearing a Chador at the Shah Cheragh Shrine, Shiraz , 1976: © Firooz Zahedi - Courtesy Leila Heller Gallery, New York

© Firooz Zahedi - Dressed as an Odalisque II, 1976, Courtesy Leila Heller Gallery

© Firooz Zahedi - Dressed as an Odalisque II, 1976, Printed 2011 C-print 48 x 36 in/ 121.9 x 91.4 cm, Courtesy Leila Heller Gallery

The muse of many artists, including Warhol, the late actress Elizabeth Taylor reveals a more candid side in an exhibit of photographs by Firooz Zahedi, in which she returns to the glamorous age of Cleopatra. A show with over 40 photographs from the actress’s travels to Iran in 1976, is on loan from LACMA, and can be seen at Leila Heller’s new downtown gallery till October 29th.

Firooz Zahedi had left Iran as a child, but together with Taylor, he returned to his country to photograph the culture made exotic once more through the lens of a visitor. Together they traveled to Persepolis, the once destroyed ancient Persian capital, to Shiraz, and to the tile-decked town of Isfahan, where Taylor, after visits to the bazaars, purchased the costumes for her transformation to an oriental odalisque.

Elizabeth Taylor in  Persepolis with view of the Tent City in the background. © Firooz Zahedi Courtesy Leila Heller Gallery, New York

Elizabeth Taylor in Persepolis with view of the Tent City in the background. © Firooz Zahedi Courtesy Leila Heller Gallery, New York

More of Elizabeth Taylor’s Photographs in Iran

Glasstress

Wednesday, June 15th, 2011
Glasstress: © Jaume Plensa, Glassman, 2004

Glasstress: © Jaume Plensa, Glassman, 2004

Glasstress is an arts project that sponsors and exhibits artists, architects, designers working in the medium of glass – The exhibition in Venice was conceived by Adriano Berengo of the Berengo Centre for Contemporary Art and Glass, and produced by Venice Projects and the Museum of Arts and Design (MAD) of New York, who will be hosting the exhibition at a future date.

Works were exhibited by artists Jaume Plensa, Vik Muniz, Nabil Nahas, Kiki Smith, Doug and Mike Starn, Pharrell Williams, Zaha Hadid (whose work was not completed in time) and Erwin Wurm among many others. Plensa’s glass body above with its blood red fluid is a reminder of the flow of gravity after death.

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Alexander McQueen’s Menagerie of Angels and Demons

Monday, May 2nd, 2011
Dress, The Horn of Plenty, autumn/winter 2009–10  Courtesy of The Metropolitan Museum of Art, Photograph © Sølve Sundsbø / Art + Commerce

Dress, The Horn of Plenty, autumn/winter 2009–10 Courtesy of The Metropolitan Museum of Art, Photograph © Sølve Sundsbø / Art + Commerce

It is important to look at death because it is a part of life. It is a sad thing, melancholic but romantic at the same time. It is the end of a cycle – everything has to end. The cycle of life is positive because it gives room for new things: Alexander McQueen

What could be more important on a day that began with a news blitz that Obama had nabbed Osama? Well, fashion of course… It was the Metropolitan Museum’s launch of the Alexander McQueen retrospective, Savage Beauty that crowds flocked to preview.
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Haeckel’s Undersea Jewels

Tuesday, March 29th, 2011
Illustration by Ernst Haeckel, German naturalist, philosopher, physician, and artist.

Illustration by Ernst Haeckel, German naturalist, philosopher, physician, and artist.

Proteus by David Lebrun, is an animated meditation based on the illustrations of biologist and artist Ernst Haeckel (1834-1919) and an exploration of the visions of 19th century painters, graphic artists, photographers and scientific illustrators.

In the 19th century the unexplored oceans presented as much of a futuristic frontier as inter-planetary expeditions of today, and Heckel’s drawings offer visions of an alternate organic universe of complex geometries – organisms with fantastic architectural features that seem to evolve, replicate and reproduce structures of great beauty with purported anatomical accuracy.
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The Storied Objects of Black Sheep and Prodigal Sons

Friday, February 19th, 2010

By Michelle Cheung

Derrick Cruz of Black Sheep and Prodigal Sons

Derrick Cruz of Black Sheep and Prodigal Sons

“Like paradoxical black sheep and prodigal son” wrote Anatole Broyard in his autobiographical tale, “Kafka Was the Rage,” as he described the outcasts and rejects, who lived in Greenwich village after the Second World War. When Derrick Cruz read these words more than five years ago, he knew right away that it would help name and shape the story for his accessories brand.  Broyard’s words captured Cruz’s repatriation to New York as an adult.  “Like paradoxical black sheep and prodigal sons,” he said, “we all come here [to New York] kind of outcasts, being rejected, seeking something new, seeking redemption of some sort. When I saw that line, I knew that was going to be the name and, aesthetically, it became more about archetypes that, in my head, were both wise and stubborn at the same time.” (more…)