By JRS
"Aurel Schmidt," shot by Juro Schneider
Though only slightly more than half of the artists showing at the Whitney’s 75th annual Biennial are women, it’s already been dubbed “the Women’s Biennial,” thanks to cyberspace’s fervid bloggers and social networkers. The split highlights the blase gender blindness that the art community has boasted for years, and if people can actually buy into it, it may prove to be a very effective measure taken by chief curator, Francesco Bonami. (more…)
