Posts Tagged ‘Berlin’

Clouds and Cobwebs

Friday, January 6th, 2012
Tomás Saraceno Observatory/Air-Port-City Hayward Gallery,London, 2008. Gesamthöhe: 9,6 m Courtesy: The artist and Andersen's Contemporary,Tanya Bonakdar Gallery, pinksummer contemporary art. Foto: Courtesy Tomás Saraceno

Tomás Saraceno Observatory/Air-Port-City Hayward Gallery,London, 2008. Gesamthöhe: 9,6 m Courtesy: The artist and Andersen's Contemporary,Tanya Bonakdar Gallery, pinksummer contemporary art. Foto: Courtesy Tomás Saraceno

Photo: Courtesy Tomás Saraceno

Photo: Courtesy Tomás Saraceno

Argentinian artist Tomás Saraceno’s visionary exhibition Cloud Cities at the Hamburger Bahnhof in Berlin is a hall of floating spheres and webs inspired by utopic visions of hanging settlements or cloud cities that can migrate across the globe.

Saraceno builds on his knowledge of architecture and astronomy to create artwork inspired by soap bubbles and the tensile configurations of spider webs.  Viewers at the museum can interact and enter the bubbles to experience their translucent, trans-dimensional qualities. The Mother Bubble, features an undulating plastic base for visitors to lounge on.

Photo: Courtesy Tomás Saraceno

Photo: Courtesy Tomás Saraceno

Read more on Saraceno

EVOL: Underground

Thursday, August 4th, 2011
EVOL 2011 © All rights reserved by evoldaily

EVOL 2011 © All rights reserved by evoldaily

 EVOL © All rights reserved by evoldaily

EVOL 2011, Hamburg, Germany © All rights reserved by evoldaily


In a similar vein to Kiefer’s film, Over Your Cities Grass Will Grow, but in an altogether different context – is the art project by German street artist EVOL for Hamburg’s MS Dockville Music Festival being held August 12-14, 2011.

Usually the artist creates urban stenciled work on city walls – of prison-like, pre-fab buildings and drab housing projects, but when asked to create an installation for the music festival, he was confronted with a natural landscape with grassy fields. Describing the space Evol says, “Usually I prefer to work on site by interfering with already existing structures,” but instead he found, “endless meadows, trees and blue sky.”

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Death is Only the Beginning

Monday, April 25th, 2011

By Kiša Lala

Lovebird, 2005, Taxidermy lovebird, Taxidermy mouse skin, Brass, Metal, Glass, Wood, 30 x 20 cm  @ Polly Morgan

Lovebird, 2005, Taxidermy lovebird, Taxidermy mouse skin, Brass, Metal, Glass, Wood, 30 x 20 cm @ Polly Morgan

Interview continued with Polly Morgan Part 2 (Read Part 1)
Morgan grew up in the country, “It wasn’t a farm. [My dad] was an eccentric character. He used to start businesses up, generally importing and exporting of animals, but then he would get sentimentally attached to them, and never let them go. They were never killed. We had Angora goats, llamas, ostriches, chickens for a while.”

Still, Morgan prefers small creatures than large mammals for her art. The largest has been the white-back vultures, which took a good year from concept to finish. She works with a 3D computer modeler to visualize relative sizes. “I try not to be set on the birds…because I could go for years without finding enough…so the flying machine was a variety of birds… I made a smaller one with bright orange finches and canaries to look like flames but it’s impossible to find enough, so I had to experiment in dying feathers with hair dye.”

When she finally visited Deyrolle in Paris, she was, “Underwhelmed really – so many people mentioned it, I had built it up to be an incredible mecca I had to go to. I spent hours looking for it, so I was knackered when I got there, and half their stock was gone – since the fire. The taxidermy was very badly done – and I’m not just being a taxidermy snob!” she laughs.

In Polly Morgan's fridge: Fox and Magpie.   Photo: Kisa Lala

In Polly Morgan's fridge: Fox and Magpie. Photo: Kisa Lala

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Under the Magical Aura of Soma

Wednesday, November 10th, 2010
Carsten Höller's "Soma" exhibit at Hamburger Bahnhof,Berlin. Photo by David von Becker

Carsten Höller's Soma exhibit in Berlin

By Kiša Lala

Carsten Höller’s new exhibition at Hamburger Bahnhof museum in Berlin, ‘Soma’ examines the mythic traditions of this Vedic elixir. Though the recipe and ingredients for it have been lost, ethnomycologists and artists alike have been interpreting its origin through ancient manuscripts – from such sources as the verses of the Rigveda, an ancient North Indian text from the 2nd millennium BCE: ‘We have drunk of the soma; we have become immortal, we have seen the light; we have found the Gods.’

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Eve Sussman – on the making of her film, Rape of the Sabine Women

Tuesday, October 5th, 2010

By Kiša Lala

Production Still, Rape of the Sabine Women

Production Still, Rape of the Sabine Women, Marilisa on the Floor Photo by Eve Sussman & Ricoh Gerbl, Courtesy of Eve Sussman and Rufus Corporation

Eve Sussman’s film Rape of the Sabine Women is an operatic vehicle set in five locations – the first two segments shot at Pergamon Museum and Tempelhof Airport in Berlin, with its stylized treatment of austerely dressed men parading within the high-design decor, has the appearance of a Gucci commercial; these are followed by scenes shot in the Athens meat market, then, a modernist summer house, and finally the Herodion Theatre in Athens, where all the sophistication of the former scenes collapse, and the denouement, driven by the film’s title, takes place.

The theme is taken from the story of the founding of ancient Rome, where the men of Rome steal the women from the neighbouring Sabine tribe – here rape has the connotation of a kidnapping or an abduction, as represented in many of the renaissance paintings, originating from the Latin word rapere from which rapt or rapture is derived.
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The DREAMERS in Berlin

Friday, September 25th, 2009

By JRS

Every time the DREAMERS heard someone talking about Berlin in the last few years, it has been energizing. It seems like every young artist in Europe has Berlin on their radar, if they haven’t already visited or moved there.  The city is young (it has been only twenty years old since the fall of the Wall) and maybe because ot the complexity of its past life, the love of Freedom is fundamental in Berlin.  An on-going city-wide affirmation. For us here in New York, Berlin seems like the bright-burning torch of Europe.

Researching places in Berlin to stage the portrait, the DREAMERS came across images of the Berlin Wall. To their great amazement, they realized that Berlin is celebrating the 20th anniversary of the fall of the Wall this November, the same time they will be there to stage the portrait.

The photo above is by marc hoffmanfrom at so-called “East Side Gallery,” one of the few remaining sections of the Berlin Wall, reborn when artists from all over the wolrd came to celebrate freedom in Berlin days after the Wall fell in 1989.

Trust Art – The DREAMERS Project Picturebook – The Next Chapter: Berlin (November 14)

Rob Pruitt’s The First Annual Art Awards at the Solomon R. Guggenheim Museum

Friday, September 25th, 2009

By JRS

Rob Pruitt and the Delusional Downtown Divas

Rob Pruitt and the Delusional Downtown Divas

The Solomon R. Guggenheim Museum recently announced with event partner Calvin Klein Collection a new art event premiering in 2009: Rob Pruitt’s The First Annual Art Awards at the Solomon R. Guggenheim Museum in Association with White Columns, to be held on Thursday, October 29, 2009.

Artist Rob Pruitt, whose conceptual practice is rooted in a pop sensibility and a playful critique of art world structures, has conceived the event as a performance-based artwork which follows the format of a Hollywood awards ceremony. The Art Awards will be an annual celebration of select individuals, exhibitions, and projects that have made a significant impact on the field of contemporary art during the previous year, specifically, for this year’s ceremony, from January 2008 to June 2009.

According to Mr. Pruitt, “This annual gesture will function as a community-building and philanthropic event for the Guggenheim Museum, White Columns and, in 2009, Studio in a School, while simultaneously mobilizing the wide ranging talents and energies of the international arts community, focusing on our mutual admiration and support for one another’s unique endeavors.” Mr. Pruitt continued, “With one eye on supporting our great institutions, and the other on injecting our community with a renewed sense of energy, spirit, and a dash of showbiz glamour, we are pleased to announce this very unique event.”

Richard Armstrong, Director of the Solomon R. Guggenheim Foundation and Museum, stated, “As the impresario behind the First Annual Art Awards, Rob Pruitt presents a daring new event model injected with the humor that underscores his work. Pruitt’s orchestration of this performative piece—with the rotunda as center stage—is aligned with the Guggenheim’s mission to continue to engage and present contemporary artists.”

“The First Annual Art Awards, held at the Guggenheim Museum, will celebrate today’s most interesting and respected artists, in an entirely innovative way,” said Malcolm Carfrae, EVP Global Communications, Calvin Klein, Inc. “Calvin Klein, Inc. has always been a huge supporter of the arts and we are thrilled to be a part of such a groundbreaking event that celebrates the arts community and gives it the recognition it deserves.”

Pruitt has invited the Delusional Downtown Divas to preside over the event as Masters of Ceremonies, and Glenn O’Brien will step in as the Announcer, or, as Pruitt describes his role, as “the Voice of God.” An additional distinguished list of presenters will participate in distributing the awards, created by Pruitt to resemble a celebratory bucket of champagne that also serves as a fully functional lamp. The presenters will include Cecily Brown, Sofia Coppola, James Franco, Knight Landesman, Nate Lowman, and Mary-Kate Olsen, among others. Original music has been composed by Matthew Friedberger of the Fiery Furnaces, who will perform at the event. Christine Muhlke, food editor of the New York Times Magazine, is curating the cuisine for the seated dinner.

Lifetime Achievement Awards, determined by Rob Pruitt along with organizing partners the Solomon R. Guggenheim Museum and White Columns, will be awarded to Joan Jonas and Kasper König. In addition, a group of more than four hundred art world professionals has been invited to form a Nominating Council that will select four nominees in nine categories that focus primarily on exhibitions and projects that took place over the preceding eighteen months (January 2008 to June 2009), in the United States, as well as one category recognizing an international exhibition. The Rob Pruitt Award is being decided solely by the artist. Of the following list of nominees, a larger group (including the Nominating Council) will establish the eventual winners, who will be announced at the live awards ceremony on October 29. The ten categories—in addition to the Lifetime Achievement Award—and the nominees for each category are:

Artist of the Year
• Louise Bourgeois
• Urs Fischer
• Dan Graham
• Mary Heilmann

Curator of the Year
• Klaus Biesenbach
• Daniel Birnbaum
• Connie Butler
• Massimiliano Gioni

Exhibitions Outside the United States
• Francis Bacon, Tate Britain, London
• Jeff Koons, Versailles, Château de Versailles, France
• Mike Kelley: Educational Complex Onwards: 1995–2008, Wiels Contemporary Art Centre, Brussels
• Wolfgang Tillmans: Lighter, Hamburger Bahnhof, Museum für Gegenwart, Berlin

Group Show of the Year, Gallery
• A Twilight Art, Harris Lieberman, New York
• Who’s Afraid of Jasper Johns? Tony Shafrazi Gallery, New York
• Your Gold Teeth II, Marianne Boesky Gallery, New York
• ZERO in New York, Sperone Westwater, New York

Group Show of the Year, Museum
• After Nature, New Museum, New York
• The Pictures Generation, 1974–1984, Metropolitan Museum of Art, New York
• The Quick and the Dead, Walker Art Center, Minneapolis
• WACK! Art and the Feminist Revolution, P.S. 1 Contemporary Art Center, Long Island City, New York

New Artist of the Year
• Elad Lassry
• Daniel McDonald
• Marlo Pascual
• Ryan Trecartin

The Rob Pruitt Award
• To be announced the evening of October 29, 2009

Solo Show of the Year, Gallery
• Cindy Sherman, Metro Pictures, New York
• Manzoni: A Retrospective, Gagosian Gallery, New York
• Paul Sharits, Greene Naftali Gallery, New York
• Picasso: Mosqueteros, Gagosian Gallery, New York

Solo Show of the Year, Museum
• Dan Graham: Beyond, Museum of Contemporary Art, Los Angeles, and Whitney Museum of American Art, New York
• Lawrence Weiner: As Far as the Eye Can See, Museum of Contemporary Art, Los Angeles, and Whitney Museum of American Art, New York
• Live Forever: Elizabeth Peyton, New Museum, New York
• Martin Kippenberger: The Problem Perspective, Museum of Contemporary Art, Los Angeles, and Museum of Modern Art, New York

Writer of the Year
• Tim Griffin
• John Kelsey
• Walter Robinson
• Jerry Saltz