Posts Tagged ‘Graffiti’

Piecebook Reloaded: Twenty Years of Rare Graffiti Drawings

Tuesday, December 8th, 2009

By JRS

“Once upon a time, long before technology created an online global community, graffiti was a highly localized art form. Be it on the subway or in the street, graffiti was available only to those who crossed its path. Though photographs were shot and circulated amongst those in the know and sometimes even made it out into the world through early books and magazines, the truly exclusive were given to circulating the piecebook, an iconic black sketchbook with heavy stock paper, perfect for showcasing the most personal forms of marker-based artwork.”

Such is our introduction to Piecebook Reloaded, a new book on graffiti that’s just hit shelves. Like its predecessor, Sacha Jenkins and David Villorente’s Piecebook Reloaded recreates the look and feel of those elusive sketchbooks. Featuring the work of more than 50 graffiti legends, Piecebook Reloaded delivers the best of the best in its most confidential expression. (more…)

Three Years in the Making: Eric Haze’s “New Abstracts and Icons”

Thursday, November 19th, 2009

By JRS

Graffiti artist-turned gallery sensation Eric Haze is ready for his fans again. The native New Yorker opened to a packed house Thursday night as his first US show in three years, “New Abstracts and Icons,” received praise.

Amid the chaos, SPREAD ArtCulture had a chance to talk with the artist.

SPREAD ArtCulture: Tell us about your show.

Eric Haze: This is my new show, “New Abstracts and Icons,” representing a solid three year’s worth of work in a few new directions I’ve been trying to take my personal work.

SAC: Have you mainly been working in New York for the duration?

EH: Yes, it’s part in parcel of re-experiencing New York after I’ve come back. I got in touch with my roots and a lot of my old peers. This show, on a lot of levels, represents a full circle back to the art world that I came out of in the 80s.

SAC: What influences, if any, did you draw on for this show?

EH: If I have any answer for that, part of it is listening to an innocence in mathematics that came through and some of it is about translating what I’ve always been as a designer into new mediums and back on a different playing field. Ultimately, if I was influenced by anything, it’s the modernists of the 50s and 60s and big, bald, minimal American painting.

New York Street Advertising Takeover, Part 2

Thursday, October 29th, 2009

By JRS

Chelsea

After the success of the last New York Street Advertising Takeover in April 2009, Public Ad Campaign organized another band of artists to liberate the mostly illegally operated NPA billboards in Manhattan and Brooklyn on Sunday, October 25. Like last time, the first wave of volunteers in OSHA-approved neon vests, buffed the ad spots with white paint, followed by a second wave of artists who added their unique touches, turning the locations into temporary public canvasses and challenging the outdoor advertising company’s claims to legitimacy.

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