Posts Tagged ‘Jeff Koons’

Skin Fruit: Jeff Koons’ Curatorial Debut at the New Museum

Monday, March 8th, 2010

By JRS

In 1985, when billionaire Greek industrialist Dakis Joannou bought the first piece of his now world-renowned contemporary art collection—a basketball signed by Dr. Jay submerged in a tank of water and simply titled “Equilibrium”—it started two chain reactions. One, Mr. Koons would never have to worry about people buying his work again, as Jonnau has been very successful in buying up most of it for his monolithic museum in Athens. Secondly, Joannou would be very adept in helping to solidify emerging artists and future greats (Terrence Koh, Cindy Sherman, Takashi Murakami), as well as helping to shape the very nature of collecting. (more…)

François Pinault’s passions revealed at the Punta Della Dogana

Wednesday, February 3rd, 2010
By Kiša Lala
Franois Pinault with the architect Tadao Ando on the Grand canal

François Pinault with the architect Tadao Ando on the Grand Canal. Photo: Graziano Arici

At the entrance to the city of Venice, parting the waters between the Giudecca and the Grand Canal like a ship’s prow, is the Dogana di Mare, the Sea Custom House from 1677. The Dogana was the port of entry policing the lucrative trade from the Silk Road of exotic cargo from the Orient and a beacon of medieval power, like the Lighthouse of ancient Alexandria. Long neglected, this crumbling decaying watchtower reclaimed attention when it was sought by the Guggenheim Foundation,which with Zaha Hadid as architect, coveted its premises to host its own collection. But in the end, Venice favoured François Pinault’s plans, who, having dropped the Île Seguin project on the Seine, was looking for a second home for his private collections, already installed in the Palazzo Grassi across the canal. (more…)

Zoe Crosher: The Unraveling of Michelle du Bois

Wednesday, January 6th, 2010

By JRS

A self portrait of the one and only Michelle du Bois

A self portrait of the one and only Michelle du Bois

This Friday night marks the opening of Zoe Crosher’s latest chapter in the ongoing saga of Michelle du Bois, the American-born escort who worked her way across the Pacific Rim in the 70s and 80s. It still remains a mystery as to how exactly Crosher obtained these photographs—and she’s not telling, though it is speculated that du Bois herself bequeathed the massive archive to her fellow shutterbug. (more…)

Art Basel Miami 2009: A Week in Review

Monday, December 7th, 2009

By JRS

Nothing could stop Art Basel from having another successful year in Miami. Not a recession, not adverse conditions—though heavy rain and flooding destroyed a few works of art—could keep the droves of people from returning to south Florida and jamming the aisles of all participating spaces and the streets of the Design District.

What felt like most of Miami—and New York, LA, and Europe’s art communities—flocked mostly to the Miami Convention Center in search of fine art and design. The more adventurous patrons made their way across the causeway and back to the mainland.

Comparing SCOPE to Art Basel at the Convention Center is like comparing the Uptown and Downtown scenes in New York; they’re total opposites. For those who have never been, Art Basel is made up of several different parts: Art Basel, SCOPE, Pulse, Art Asia, and the bevy of neighborhood galleries that fling open their doors during the week and curate exhibitions of their own. Truth be told, these are often the most interesting shows to experience, as they have no preconceptions and are akin to Dash’s old shows at Deitch circa 2005: completely uninhibited.

New York Street Artist Judith Sapine's Newest Work

New York Street Artist Judith Supine's Newest Work

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Continuing Down the Rabbit Hole: Urs Fischer at the New Museum

Wednesday, November 4th, 2009

By JRS

"Untitled" by Urs Fischer, Marguerite de Ponty 2009. Mixed mediums.

"Untitled" by Urs Fischer, Marguerite de Ponty 2009. Mixed mediums.

There’s something to be said about an artist who doesn’t take himself too seriously, whose whimsical approach to his art can shine forth and resonate in those who know little about his previous work, connecting them to the piece as much as the adept patron.

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The Ballots Are In: Rob Pruitt’s Art Awards at the Guggenheim

Friday, October 30th, 2009

By JRS

The award was an empty champagne bottle surrounded by plastic ice, which is also a fully functioning lamp. The Pruitt.

The Pruitt Award Is an empty champagne bottle surrounded by plastic ice, which is also a fully functioning lamp.

Was the art world ready for its Oscar moment? Regardless of that answer, the first annual Art Awards presented by Rob Pruitt took place last night in the Guggenheim’s rotunda. (more…)

From Cultural Instigator to Curator: Jeff Koons at the New Museum

Wednesday, October 7th, 2009

By JRS

When Greek industrialist Dakis Joannou’s prodigious modern art collection arrives for its tour at the New Museum in February 2010, it will have a new curator to ensure a smooth run. Jeff Koons, the artist whom Joannou credits with his involvement in the art world after experiencing “Equilibrium,” will oversee  the production of the show and, in the tradition of Urs Fischer before him with “The Generational: Younger Than Jesus,” will use the entire museum as his new manifestation. This new role will bring carte blanche to Koons to exhibit the work as it has never been seen, which is quite fitting for the collections’s first visit to the US. (more…)

Takashi Murakami to Exhibit in the Château de Versailles in 2010

Saturday, October 3rd, 2009

By JRS

Last month in Paris, during event to promote the launch of a show of work on September 13th by French pop artist Xavier Veilhan at Château de Versailles, the Versailles museum director Jean-Jacques Aillagon announced to the Associated Free Press that Japanese artist Takashi Murakami had been chosen to appear at the venerable institution in 2010.  Murakami is often described as the “Japanese Warhol,” due perhaps to his Pop art style and extremely prolific production of work.  Of course another artist often described in this way is Jeff Koons, who in the winter of last year displayed many of his significant sculpture pieces at Versailles, which though iconic as contemporary art, were perhaps incongruous to that particular location.

Though the Jeff Koons in Versailles show last year was generally concluded to be both a successful and well attended exhibition, with almost 1 million visitors attending, it did garner significant controversy.  Prince Charles-Emmanuel de Bourbon-Parme, a French aristocrat in the line of succession to the French throne and a descendant of the palace’s original creator, Louis XIV, mounted a hight-profile legal challenge to the installation, which ultimately failed. Prince Charles-Emmanuel cited the Koons exhibition as “pornographic.”  As Takashi Murakami is also known to produce relatively illicit subject matter in his art, this exhibit may as well stir up some ire with French traditionalists.

Jeff Koons at Versailles

Jeff Koons at Versailles

Takashi Murakami currently has simultaneous solo exhibitions this month in both Gagosian Gallery in Chelsea, New York and at Galerie Emmanuel Perrotin in Paris.

New Murakami

New Murakami

Rob Pruitt’s The First Annual Art Awards at the Solomon R. Guggenheim Museum

Friday, September 25th, 2009

By JRS

Rob Pruitt and the Delusional Downtown Divas

Rob Pruitt and the Delusional Downtown Divas

The Solomon R. Guggenheim Museum recently announced with event partner Calvin Klein Collection a new art event premiering in 2009: Rob Pruitt’s The First Annual Art Awards at the Solomon R. Guggenheim Museum in Association with White Columns, to be held on Thursday, October 29, 2009.

Artist Rob Pruitt, whose conceptual practice is rooted in a pop sensibility and a playful critique of art world structures, has conceived the event as a performance-based artwork which follows the format of a Hollywood awards ceremony. The Art Awards will be an annual celebration of select individuals, exhibitions, and projects that have made a significant impact on the field of contemporary art during the previous year, specifically, for this year’s ceremony, from January 2008 to June 2009.

According to Mr. Pruitt, “This annual gesture will function as a community-building and philanthropic event for the Guggenheim Museum, White Columns and, in 2009, Studio in a School, while simultaneously mobilizing the wide ranging talents and energies of the international arts community, focusing on our mutual admiration and support for one another’s unique endeavors.” Mr. Pruitt continued, “With one eye on supporting our great institutions, and the other on injecting our community with a renewed sense of energy, spirit, and a dash of showbiz glamour, we are pleased to announce this very unique event.”

Richard Armstrong, Director of the Solomon R. Guggenheim Foundation and Museum, stated, “As the impresario behind the First Annual Art Awards, Rob Pruitt presents a daring new event model injected with the humor that underscores his work. Pruitt’s orchestration of this performative piece—with the rotunda as center stage—is aligned with the Guggenheim’s mission to continue to engage and present contemporary artists.”

“The First Annual Art Awards, held at the Guggenheim Museum, will celebrate today’s most interesting and respected artists, in an entirely innovative way,” said Malcolm Carfrae, EVP Global Communications, Calvin Klein, Inc. “Calvin Klein, Inc. has always been a huge supporter of the arts and we are thrilled to be a part of such a groundbreaking event that celebrates the arts community and gives it the recognition it deserves.”

Pruitt has invited the Delusional Downtown Divas to preside over the event as Masters of Ceremonies, and Glenn O’Brien will step in as the Announcer, or, as Pruitt describes his role, as “the Voice of God.” An additional distinguished list of presenters will participate in distributing the awards, created by Pruitt to resemble a celebratory bucket of champagne that also serves as a fully functional lamp. The presenters will include Cecily Brown, Sofia Coppola, James Franco, Knight Landesman, Nate Lowman, and Mary-Kate Olsen, among others. Original music has been composed by Matthew Friedberger of the Fiery Furnaces, who will perform at the event. Christine Muhlke, food editor of the New York Times Magazine, is curating the cuisine for the seated dinner.

Lifetime Achievement Awards, determined by Rob Pruitt along with organizing partners the Solomon R. Guggenheim Museum and White Columns, will be awarded to Joan Jonas and Kasper König. In addition, a group of more than four hundred art world professionals has been invited to form a Nominating Council that will select four nominees in nine categories that focus primarily on exhibitions and projects that took place over the preceding eighteen months (January 2008 to June 2009), in the United States, as well as one category recognizing an international exhibition. The Rob Pruitt Award is being decided solely by the artist. Of the following list of nominees, a larger group (including the Nominating Council) will establish the eventual winners, who will be announced at the live awards ceremony on October 29. The ten categories—in addition to the Lifetime Achievement Award—and the nominees for each category are:

Artist of the Year
• Louise Bourgeois
• Urs Fischer
• Dan Graham
• Mary Heilmann

Curator of the Year
• Klaus Biesenbach
• Daniel Birnbaum
• Connie Butler
• Massimiliano Gioni

Exhibitions Outside the United States
• Francis Bacon, Tate Britain, London
• Jeff Koons, Versailles, Château de Versailles, France
• Mike Kelley: Educational Complex Onwards: 1995–2008, Wiels Contemporary Art Centre, Brussels
• Wolfgang Tillmans: Lighter, Hamburger Bahnhof, Museum für Gegenwart, Berlin

Group Show of the Year, Gallery
• A Twilight Art, Harris Lieberman, New York
• Who’s Afraid of Jasper Johns? Tony Shafrazi Gallery, New York
• Your Gold Teeth II, Marianne Boesky Gallery, New York
• ZERO in New York, Sperone Westwater, New York

Group Show of the Year, Museum
• After Nature, New Museum, New York
• The Pictures Generation, 1974–1984, Metropolitan Museum of Art, New York
• The Quick and the Dead, Walker Art Center, Minneapolis
• WACK! Art and the Feminist Revolution, P.S. 1 Contemporary Art Center, Long Island City, New York

New Artist of the Year
• Elad Lassry
• Daniel McDonald
• Marlo Pascual
• Ryan Trecartin

The Rob Pruitt Award
• To be announced the evening of October 29, 2009

Solo Show of the Year, Gallery
• Cindy Sherman, Metro Pictures, New York
• Manzoni: A Retrospective, Gagosian Gallery, New York
• Paul Sharits, Greene Naftali Gallery, New York
• Picasso: Mosqueteros, Gagosian Gallery, New York

Solo Show of the Year, Museum
• Dan Graham: Beyond, Museum of Contemporary Art, Los Angeles, and Whitney Museum of American Art, New York
• Lawrence Weiner: As Far as the Eye Can See, Museum of Contemporary Art, Los Angeles, and Whitney Museum of American Art, New York
• Live Forever: Elizabeth Peyton, New Museum, New York
• Martin Kippenberger: The Problem Perspective, Museum of Contemporary Art, Los Angeles, and Museum of Modern Art, New York

Writer of the Year
• Tim Griffin
• John Kelsey
• Walter Robinson
• Jerry Saltz