Posts Tagged ‘new york’

Visions of a Treeless World

Thursday, October 13th, 2011

By Kiša Lala

Landscape by Stuart Hall © Stuart Hall

Landscape by Stuart Hall © Stuart Hall

‘Oops,’ someone might have said when the last tree came down on Easter Island. One day, while making really cool art, the islanders realized they’d chopped down too many trees. Without logs to roll their art down the hilltops, or fruit from the trees, without timber for fire, and with the topsoil eroded, there wasn’t arable land left for crops, or wood for building boats to catch fish. The birds stopped coming. They were too far for a rescue. And, since no one noticed, the islanders began to selectively eat each other to stay alive.

© J F Rauzier - Cranach's Dream

© J F Rauzier - Cranach's Dream The New Garden of Eden?


From - If a Tree Falls: A Story of the Earth Liberation Front. Image credit TJ Watt - Oscilloscope

From - If a Tree Falls: A Story of the Earth Liberation Front. Image credit TJ Watt - Oscilloscope

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Architect of Illusions

Thursday, September 15th, 2011

By Kiša Lala

Sculpteur de Nourissons - detail © Charles Matton, Courtesy All Visual Arts, Photo: Tessa Angus

Sculpteur de Nourissons - detail © Charles Matton, Courtesy All Visual Arts, Photo: Tessa Angus

Sculpteur de Nourissons © Charles Matton, Courtesy All Visual Arts, Photo: Tessa Angus

Sculpteur de Nourissons © Charles Matton, Courtesy All Visual Arts, Photo: Tessa Angus

A retrospective of handmade miniature interiors by Charles Matton is on exhibit in London’s All Visual Arts gallery. Matton, who died in 2008 of lung cancer, built ‘Boxes,’ that recreated artist studios and mise-en-scènes, emotive still-frames of inhabited interiors, empty hotel hallways, lonesome ateliers and imaginary boîtes. Poking one’s head inside one of Matton’s enclosures is being Gulliver trespassing into another reality and expecting the room’s lilliputian occupants to return any moment.

The fascination with doll’s houses is that we glorify our need for tidying and collecting objects with imperial strokes and a make-belief sense of omniscience. Replicating the world exactly had been Matton’s passions, and his artistic journey began with painting hyperreal interiors that he eventually extrapolated into three-dimensions, creating rooms with walls exactly as he would have painted them on canvas, drawing cracks on the patina, filtering sun and shade on the furniture, miniaturizing the effects of light itself.

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Don’t Look Now

Thursday, September 8th, 2011
©Patrick Witty -  here is new york - exhibition at School of Visual Arts

©Patrick Witty - here is new york - exhibition at School of Visual Arts

Ten years ago, on just another week like this, with New Yorkers speeding to their next meetings, racing for subways with coffee in hand, and models primping for Fall Fashion week – a morning like any other suddenly unraveled. The following moments would gnaw at collective memories, punctuate lives, and instigate a series of devastating world events. It was a tragic start to the new century and an ominous beginning for the new millennium. It was America’s passage from puberty. Some still recollect their movements in dreamlike sequence, whether it was the moment of becoming first aware, escaping the avalanche of dust, peering from rooftops at the collapsing towers, or just smelling the acrid vapours alone in one’s room…

©Roberto Linsker, Courtesy of 1500 Gallery, NYC

As seen from the world trade center in 2000- Horizonte Perdido, 2000 ©Roberto Linsker, Courtesy of 1500 Gallery, NYC


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Touch Me, Taste Me

Friday, August 26th, 2011
 Mouth Eyes, 2009, video still, © Jessica Harrison

Mouth Eyes, 2009, video still, © Jessica Harrison

Jessica Harrison’s artworks are discomfitingly tactile, triggering a collision of senses, and sometimes even, immediate recoil. In this video still, Mouth Eyes, she places lips in the eye sockets, resulting in involuntary synesthesia in the viewer.

Harrison deconstructs the body, defining its interior space in relation to the exterior world of sensations, not just as a simple duality but an osmotic plane, exploring, as she describes it, “a complex chasm of surfaces and sensations that relate to and transgress one another. Rather than being a stable entity, the body emerges as one that is in constant flux, shifting, stretching, snapping, softening.”
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Reflections on a Drop of Water

Wednesday, August 24th, 2011

By Aaron Barr

'Braindrop' - Photo by Marc Whalen

At the Escape to New York festival in Southampton earlier this month, I found myself sitting inside a 17-foot tall sculpture called Braindrop alongside it’s creator, Kate Raudenbush, and a mix of good friends and strangers. With eloquence and charm, Kate explained her inspiration for the artwork and how to best experience it – from the inside, lying on one’s back, looking up into the vortex – which reveals a surprisingly breathtaking, kaleidoscope effect.

Kate Raudenbush is a New York City-based sculpture artist who uses symbolism for social commentary and self-reflection.  Integral to her work is the public’s participation, so it was nothing short of kismet that we found ourselves, friends and strangers alike, conversing and sharing, while inside a huge steel drop of water.

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Otherworldly

Tuesday, August 23rd, 2011
Copyright All rights reserved by artimageslibrary

Steel, aluminum, plaster, resin, stroboscope, 70 1/2 x 78 3/4 x 78 3/4 in. (179 x 200 x 200 cm) Courtesy Merderme © Mat Collishaw - photo:Copyright All rights reserved by artimageslibrary

The Otherworldly exhibition at Museum of Arts and Design showcases artists who have built alternative realities using handmade worlds without using cyber generated effects.

Seen here is Mat Collishaw’s work which is a kind of zoetrope that when spun, gives the impression of continuous motion.

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The Age of Icarus

Friday, August 19th, 2011

By Kiša Lala

Kahn & Selesnick, King of the Birds, 2007, Archival pigment print, 54 x 54 inches, Edition of 10

Kahn & Selesnick, King of the Birds, 2007, Archival pigment print, 54 x 54 inches, Edition of 10 © Kahn & Selesnick, Courtesy of the Artist and the Yancey Richardson Gallery

As featherless bipeds we’ve been haunted by avian myths and envied creatures of flight, but birds are now sadly neglected and bypassed in the age of jet travel, their status further diminished by their urban cousins, the flying vermin of city parks, along with their skinned and headless counterparts that come saran-wrapped in supermarkets, their flightless bodies fully-grounded.

Beautiful Vagabonds, a summer group show at Yancey Richardson explores through photography, sound and video, more fanciful visions of these winged gypsies.
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Festival Nomads

Wednesday, August 17th, 2011
Burning Man - photo © David Art Wales 2010

A photo taken at Burning Man, David Art Wales 2010

Festivals have been sprouting love, peace and happiness across the planet, and some like the Festival in the Desert in the Sahara in Mali, Afrikaburn, and Burning Man which take place over several days, become watering holes for artists, musicians and a place to show off distinct styles.

Escape to New York was a festival organized in early August in South Hampton New York with installations, live music, performance art and experimental theatre. The organizers put up private teepees, suitable for glamorous camping, “glamping,” to accommodate the Hampton’s taste for sanitized partying – in contrast to the tents and wagons that spawn chaotically in the crowded fields of Glastonbury.

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The Forgotten Dreams of Cave Dwellers

Tuesday, August 9th, 2011
Werner Herzog in CAVE OF FORGOTTEN DREAMS, directed by  Werner Herzog.  A Sundance Selects Release

Werner Herzog in CAVE OF FORGOTTEN DREAMS, directed by Werner Herzog. A Sundance Selects Release

The new Werner Herzog 3D film Cave Of Forgotten Dreams documents the most enigmatic ancient drawings ever found, drawn by human hands, on the walls of the Chauvet Cave in France. These 30,000 year-old cave drawings of the first ever human art were discovered in 1994, but since their exposure to the general public, the stale breath of human hordes and the stampede of foot traffic, had caused moulds to appear on the walls of the caves, and subsequently, access has been extremely restricted.

The film explores the first tangible evidence in the human instinct to make art. Hand prints of the artists immortalize the most basic human signature, and suggest a universal longing to be remembered. Some of the etchings were overdrawn with others 5000 years later, which indicates the walls were used for graffiti and art through many later generations of humans, and perhaps these ancient art galleries inspired communal and spiritual gatherings.

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You Spin Me Right Round

Thursday, July 28th, 2011

By Kiša Lala

On the Road to Heaven the Highway to Hell, 2009, 75x30x88 cm, remnants of the suicide bomber cast in dark chocolate. Artist: Stephen j Shanabrook, Photo: Veronika Georgieva. Courtesy of the artist.

On the Road to Heaven the Highway to Hell, 2009, 75x30x88 cm, Remnants of a suicide bomber cast in dark chocolate. Artist: Stephen j Shanabrook, Photo: Veronika Georgieva. Courtesy of the artist.

Artist Stephen J Shanabrook has a way of looking at things a little askew, and recently with new partner Moscovite artist Veronika Georgieva, he took the city for a spin. Attaching a camera on the wheel of their car, they drove around South Bronx on a hot afternoon. The result is an 8 minute video, Spin City (video excerpt below). Georgieva describes the venture as “A point-and-shoot camera mounted on the wheel of our car to see things from a tire’s point of view.”


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