Posts Tagged ‘Palazzo Grassi’

Food for Thought: Subodh Gupta’s Kitchen Confidential

Monday, June 20th, 2011

By Kiša Lala

Artist Subodh Gupta photo: Kisa Lala

Artist Subodh Gupta NYC 2011 photo: Kisa Lala

The economy of art is viewed with suspicion in a country where most still struggle with the basic necessities of survival…an onerous responsibility to bear for one of India’s top selling artists. Still, such social concern seems disingenuous looking at the media’s general ambivalence towards the fortunes spent by its own elite on weddings ($50 million extravaganzas). India’s surge in the contemporary art market is a sign of increasing luxury and leisure for its fattening middle class. The romance of poetry does not register on an empty stomach.

The moon does look like a big pizza pie to most of India. Well, more a chapatti. Speaking about his monochrome painting depicting empty plates of leftover food, hung at his recent exhibition at Hauser & Wirth, Subodh Gupta said, “It’s like the full moon; left over plates, inspired by street vendors who use thalas to make chapattis – it’s a tabletop photograph.”
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Subodh Gupta: A Glass of Water

Friday, June 17th, 2011
Et tu, Duchamp? (detail), 2009 Black bronze 114 x 88 x 59 cm / 44 7/8 x 34 5/8 x 23 1/4 in Marble plinth: 123 x 123 x 122 cm Overall height: 237 cm

Et tu, Duchamp? (detail), 2009 Black bronze 114 x 88 x 59 cm / 44 7/8 x 34 5/8 x 23 1/4 in Marble plinth: 123 x 123 x 122 cm Overall height: 237 cm. Courtesy of Hauser and Wirth

In 2006 Subodh Gupta’s work Very Hungry God was shown as part of Pinault’s collection when Palazzo Grassi opened, and since then Gupta has been compared to Hirst in his meteoric rise to becoming one of India’s most prominent contemporary artists.

Gupta created works of large, photo-realist oils of empty plates, roped baggage, installations of airport conveyors, sculptures of common kitchen implements, and he’s made, Pure a 9 minute video of him washing his naked body smeared in cow dung. The above is a rendition of Duchamp’s work as a sculpture, such that one can look behind it…

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François Pinault’s passions revealed at the Punta Della Dogana

Wednesday, February 3rd, 2010
By Kiša Lala
Franois Pinault with the architect Tadao Ando on the Grand canal

François Pinault with the architect Tadao Ando on the Grand Canal. Photo: Graziano Arici

At the entrance to the city of Venice, parting the waters between the Giudecca and the Grand Canal like a ship’s prow, is the Dogana di Mare, the Sea Custom House from 1677. The Dogana was the port of entry policing the lucrative trade from the Silk Road of exotic cargo from the Orient and a beacon of medieval power, like the Lighthouse of ancient Alexandria. Long neglected, this crumbling decaying watchtower reclaimed attention when it was sought by the Guggenheim Foundation,which with Zaha Hadid as architect, coveted its premises to host its own collection. But in the end, Venice favoured François Pinault’s plans, who, having dropped the Île Seguin project on the Seine, was looking for a second home for his private collections, already installed in the Palazzo Grassi across the canal. (more…)