Posts Tagged ‘Ryan McGinley’

Art & Commerce: The Scots Promote their Knitwear

Friday, December 10th, 2010

By Kiša Lala

Ryan McGinley, Tilda Swinton, Neville Wakefield at Pringle of Scotland / Serpentine Gallery dinner closing the 195 Collaborations project

Ryan McGinley, Tilda Swinton, Neville Wakefield at Pringle of Scotland / Serpentine Gallery dinner closing the 195 Collaborations project, at the Webster, Miami. Photo Credit: David X Prutting

Hans Ulrich Obrist, Co-director of the Serpentine Gallery

Hans Ulrich Obrist, Co-director of the Serpentine Gallery in Pringle of Scotland

An unusual pairing during Art Basel Miami Beach was the jointly held event between Pringle of Scotland, the design house for Scottish woolies, and Serpentine Gallery, one of the most respected galleries in London.

The sponsorship of the arts is laudable when it’s of economic benefit to the artists, and here the alliance with art seems to be working also to the advantage of Pringle, increasing it’s corporate profile amongst art enthusiasts. Pringle’s sponsorship of artists in Scotland is ostensibly to promote Scottish craft and creativity, but its collaboration with the Serpentine is not only a strategic association that helps to legitimize a corporate brand but is also a smart economic venture for the Serpentine.

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Marilyn Minter’s Inspiration for Show on Perspiration

Monday, August 30th, 2010

By Kiša Lala

Marilyn Minter, Trickle, 2010 C-Print

Marilyn Minter, Trickle, 2010 C-Print

Far from the sweaty sidewalks of New York in the cooler climes of Gstaad, better known for its ski resorts, Marilyn Minter is co-curating a show with Fabienne Stephan titled SWEAT. The show at Patricia Low Contemporary includes works by Matthew Barney, Kate Gilmore, Mika Rottenberg, Cindy Sherman and Kiki Smith among others – with depictions of the skin’s secretions ranging from the erotic to the mundane.

Cindy Sherman : Untitled  1985

Cindy Sherman : Untitled 1985

Sweat is the conditional response of our skins, the body’s largest organ: try as we might to mask the hint of arousal and exertion, the thin wet odorous film is a primitive and instinctual expression of our latent desires, a Pavlovian reflex to fear and sex. While Minter’s work explores the erotic surface tension of dirt and sweat, Kiki Smith’s work is one of abstract crystallized droplets, and Ryan McGinley photographs a runner in the saintly glow of exhaustion.

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