Posts Tagged ‘Tony Shafrazi’

New York Armory Week 2010

Wednesday, March 10th, 2010

By JRS

Sunday marked the closing of another successful Armory Week in New York. Following the trend of Art Basel in Miami, the aisles were teeming with enthusiasts, artists, collectors, and dealers who seemed not to be aware in the least about our turbulent economic climate. Damien Hirst prints had five and six stickers next to them, denoting sales. It truly was a collector’s fair. (more…)

Skin Fruit: Jeff Koons’ Curatorial Debut at the New Museum

Monday, March 8th, 2010

By JRS

In 1985, when billionaire Greek industrialist Dakis Joannou bought the first piece of his now world-renowned contemporary art collection—a basketball signed by Dr. Jay submerged in a tank of water and simply titled “Equilibrium”—it started two chain reactions. One, Mr. Koons would never have to worry about people buying his work again, as Jonnau has been very successful in buying up most of it for his monolithic museum in Athens. Secondly, Joannou would be very adept in helping to solidify emerging artists and future greats (Terrence Koh, Cindy Sherman, Takashi Murakami), as well as helping to shape the very nature of collecting. (more…)

Robert Williams: In the Service of the Hypothetical

Saturday, December 19th, 2009

By JRS

Williams airbrushing "A Diamond in a Goat's Ass (A Lyrically Poetic Euphemism for Pretension)."

Williams airbrushing "A Diamond in a Goat's Ass (A Lyrically Poetic Euphemism for Pretension)"

Often know by the name “pop surrealism,” lowbrow art leapt onto the art community’s radar in the 1970s in Los Angeles. A tormented stepchild of punk rock, underground comix, and America’s obsession with hot rods, this movement was delineated by a sense of humor, sharp wit, and, above all else, a grandiloquent denouement with chaos ruling the canvas, the likes of which had not been accepted in a gallery setting before. (more…)

An Art Basel Conversation: Shafrazi Gallery on David LaChapelle and Dennis Hopper

Wednesday, December 9th, 2009

By JRS

SPREAD ArtCulture caught up with George Horner, an administrator at New York’s Tony Shafrazi Gallery, at Art Basel and talked about David LaChapelle and Dennis Hopper’s new exhibitions.

SPREAD ArtCulture: When did these new LaChapelle images come about?

George Horner: These images were shot in Hawaii recently because David has a lot of land there. It was actually once a nudist colony that he bought years ago. He flew in Michael Jackson impersonators and look-a-likes for this shoot. He was a huge Michael fan and was really affected by his death. The look-a-likes go through real pains in this series, in order to be as genuine as possible.

"The Beatification: I'll Never Let You Part For You're Always in My Heart," by David LaChapelle
“The Beatification: I’ll Never Let You Part For You’re Always in My Heart,” by David LaChapelle

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