A scene from Lucy Walker's Countdown to Zero. Photo courtesy of Magnolia Pictures.
At Sundance this year, director Lucy Walker was one of few filmmakers present with two feature films being screened. The first was Waste Land, a collaboration with the artist Vik Muniz on a recycling project with the inhabitants of the world’s largest garbage dump ‘Jardim Gramacho’, just outside Rio. The film is an inspiring depiction of trash-pickers who recreate photographic images of themselves out of garbage and through the process, begin to re-imagine their lives.
Her second film though, Countdown to Zero, is very different but just as powerful and enlightening, on the subject of a global nuclear arms crisis. The film was produced by Lawrence Bender (An Inconvenient Truth), and Walker was given the go ahead to create a film without any particular mandate. At the film’s screening in Sundance she said that while researching the project and speaking to experts on the actual realities of nuclear proliferation, she was shaken out of her own complacency and forced to reeducate herself.
