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	<title>SPREAD &#124; ArtCulture &#187; Waste Land</title>
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		<title>Film director Lucy Walker projects her imagination onto fields of trash, and onto nuclear landscapes</title>
		<link>http://www.spreadartculture.com/2010/08/13/lucy-walker-nuclear-landscapes/</link>
		<comments>http://www.spreadartculture.com/2010/08/13/lucy-walker-nuclear-landscapes/#comments</comments>
		<pubDate>Fri, 13 Aug 2010 16:46:06 +0000</pubDate>
		<dc:creator>KisaLala</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Countdown to Zero]]></category>
		<category><![CDATA[Kisa Lala]]></category>
		<category><![CDATA[Lawrence Bender]]></category>
		<category><![CDATA[Lucy Walker]]></category>
		<category><![CDATA[new york]]></category>
		<category><![CDATA[Waste Land]]></category>

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		<description><![CDATA[At Sundance this year, director Lucy Walker was one of few filmmakers present who had two feature films being screened, the first was Waste Land and her second film was Countdown to Zero...]]></description>
			<content:encoded><![CDATA[<div id="attachment_2219" class="wp-caption aligncenter" style="width: 570px"><a rel="attachment wp-att-2219" href="http://www.spreadartculture.com/2010/08/13/lucy-walker-nuclear-landscapes/18nuclear-span-articlelarge/"><img class="size-large wp-image-2219" title="18nuclear-span-articleLarge" src="http://www.spreadartculture.com/wp-content/uploads/2010/08/18nuclear-span-articleLarge-560x310.jpg" alt="A scene from Lucy Walker's Countdown to Zero" width="560" height="310" /></a><p class="wp-caption-text">A scene from Lucy Walker&#39;s Countdown to Zero. Photo courtesy of Magnolia Pictures. </p></div>
<p>At Sundance this year, director <strong>Lucy Walker</strong> was one of few filmmakers present with two feature films being screened. The first was <em>Waste Land</em>, a collaboration with the artist <strong>Vik Muniz</strong> on a recycling project with the inhabitants of the world’s largest garbage dump &#8216;Jardim Gramacho&#8217;, just outside Rio. The film is an inspiring depiction of trash-pickers who recreate photographic images of themselves out of garbage and through the process, begin to re-imagine their lives.</p>
<p>Her second film though, <em>Countdown to Zero</em>, is very different but just as powerful and enlightening, on the subject of a global nuclear arms crisis. The film was produced by <strong>Lawrence Bender</strong> (<em>An Inconvenient Truth</em>), and Walker was given the go ahead to create a film without any particular mandate.  At the film&#8217;s screening in Sundance she said that while researching the project and speaking to experts on the actual realities of nuclear proliferation, she was shaken out of her own complacency and forced to reeducate herself.</p>
<p><span id="more-2217"></span></p>
<div id="attachment_2225" class="wp-caption aligncenter" style="width: 399px"><a rel="attachment wp-att-2225" href="http://www.spreadartculture.com/2010/08/13/lucy-walker-nuclear-landscapes/lucy-walker-photo-by-hugo-tillmans/"><img class="size-full wp-image-2225" title="Lucy Walker photo by Hugo Tillmans" src="http://www.spreadartculture.com/wp-content/uploads/2010/08/Lucy-Walker-photo-by-Hugo-Tillmans.jpg" alt="Director Lucy Walker, photo by Hugo Tillmans" width="389" height="495" /></a><p class="wp-caption-text">Director Lucy Walker, photo by Hugo Tillmans</p></div>
<p>In an interview in <a href="http://filmmakermagazine.com/" target="_blank">Filmmaker magazine</a>, Walker says, &#8220;&#8230;You know it’s possible, but you don’t think those possibilities could add up to an actuality, and unfortunately every single person I spoke to said, no, it’s real. I looked for reassurance, I really looked for a solution [to the problem] that a nuclear catastrophe is a matter of when, not if. I didn’t want to have to draw that conclusion. Yet nobody could give me a sensible counterargument. And nobody could tell me that the steps needed to be taken to blow up New York City not only could happen but had already happened. That was really shocking to me. You want to think nuclear weapons secrets aren’t smugglable, you want to think uranium isn’t enrichable very easily. You want to think no stuff actually gets loose. Who would have thought kitty litter was more radioactively detectable than fissile material? Isn’t that insane?&#8221;</p>
<div id="attachment_2226" class="wp-caption aligncenter" style="width: 570px"><a rel="attachment wp-att-2226" href="http://www.spreadartculture.com/2010/08/13/lucy-walker-nuclear-landscapes/view-down-onto-irmas-portrait-on-the-floor-photo-vik-muniz-courstesy-of-vm-studio/"><img class="size-large wp-image-2226" title="View Down Onto Irma's Portrait on the Floor- Photo Vik Muniz, courstesy of VM studio" src="http://www.spreadartculture.com/wp-content/uploads/2010/08/View-Down-Onto-Irmas-Portrait-on-the-Floor-Photo-Vik-Muniz-courstesy-of-VM-studio-560x372.jpg" alt="View Down Onto Irma's Portrait on the Floor- Photo Vik Muniz" width="560" height="372" /></a><p class="wp-caption-text">View Down onto Irma&#39;s Portrait on the Floor- Photo Vik Muniz, courstesy of Vik Muniz studio</p></div>
<p>Both of director Lucy Walker&#8217;s films will be showing in New York City in the coming weeks.</p>
<p>For further details:<br />
Countdown to Zero: <a href="http://www.takepart.com/zero" target="_blank">http://www.takepart.com/zero</a><br />
Wasteland: Docuweeks Screenings @ <a href="http://www.ifccenter.com" target="_blank">IFC Centre</a> NYC. USA. August 13th &#8211; August 19th</p>
<p>By Kiša Lala</p>
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